Hunch Music by Hunee

Hunee - Hunch Music

You’re in an aircraft above a desolate planet covered in jilted machinery, now consumed by lush greenery. You’re only here to observe the sprawling ruins with your small crew, yet you can’t shake the feeling that life exists somewhere down there. It’s quiet, but you become aware of a steady pulse vibrating through your entire body, growing progressively louder and more vigorous. This planet is alive, and the sounds of the forests and machines are dancing . . .

Creating dance music is an art form; it requires an ear for meticulous detail, and the imaginative know-how to make something that’s both interesting and elicits movement. Hunch Music is the debut full-length from DJ/producer Hun Choi, aka Hunee. Choi has spent the better part of a decade in Berlin honing and refining his skills as a dancefloor expert, and this new record exemplifies his mastery over the groove.

This is house, but only in the loose foundational sense of it hanging within the 120-130bpm window and riding four-on-the-floor kicks that pulse underneath a world of unique instrumentation. The music isn’t flashy or experimental for the sake of being strange, but it innovates in fresh new ways and doesn’t confine itself to any specific template. It’s the most “free”-sounding dance music I’ve heard in quite a while.

It’s also one of the most beautifully paced records that’s come out this year. Each song materializes from subtly-introduced rhythms and unfolds into blissful, club-primed maximalism. The most captivating moments may be found in the final three-song stretch, where Choi delves into hypnotic, classical and jazz-influenced ambience. If you’re seeking lively, intricately composed house music, this album is for you.

– stasi (@stasisphere)

Hunch Music by Hunee

DEATH MAGIC by HEALTH

HEALTH - DEATH MAGIC

You float high above the jagged earth in a metal ship. Black clouds canvas the sky above you, dumping torrents of rain onto the ground below. Many other ships similar to yours twinkle in the darkness, and tear the land into segments with vicious beams of energy. The world is being dismembered and auctioned off to the wealthiest buyers in the galaxy, and you have first-row seats to the destruction of the planet. You watch, and listen to the chaotic beauty . . .

Forgive me for gushing, but this is a record I’ve been greatly anticipating. I’m pleased to report that it has scaled, and exceeded my mountainous expectations. DEATH MAGIC is the newest release from HEALTH, an L.A.-based band of noise enthusiasts and pioneers in the pursuit of merging aggressive dissonance and melodic consonance. This is their first proper full-length album in half a decade, and it’s well worth the agonizing wait.

HEALTH have always dabbled in pop melodicism, but never to the extent that they do on this marvelously catchy record. Jacob Duzsik’s velvety singing echoes through industrial electronic instrumentation, evoking a unique dichotomy between vibrant life and formulaic mechanics. These are colossal, percussive, pristinely produced songs that will delight their long-time devotees, and the new coat of polish will draw many new ones.

There’s also a distinct enhancement in the band’s danceability category. “FLESH WORLD (UK)” blasts out of the gates with arms raised in soaring house bliss, “DARK ENOUGH” skims the surface of trap-tinged hip-hop, and “L.A. LOOKS” wouldn’t sound out of place on a noisier Passion Pit record. Bottom line: the carnal aggression is intact, with a new focus on beauty. If you’re seeking industrial noise pop, this album is for you.

– stasi (@stasisphere)

DEATH MAGIC by HEALTH